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Photo by Daniel Welch
 
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Biography

 

 

            Grammy Award-winning, Kansas City native David Morgans is a promising young Afro-Latinx tenor. This season, he’s back at the Metropolitan Opera on teams for Lohengrin, Der fliegende Holländer, and Champion with more to be announced! Most recently, he was to sing the roles of Mingo and Sportin’ Life in Porgy and Bess with Des Moines Metro Opera and sang concerts as Il Duca in Rigoletto and as Nadir in Les pêcheurs de perles. He also appeared as Mr. Charles in Ricky Ian Gordon’s Intimate Apparel at Lincoln Center Theater and was bound to make his role and house debut with Florentine Opera as Rodolfo in their new production of Puccini’s La Boheme.

The 2021-2022 season began with Mr. Morgans opening the Metropolitan Opera’s new season as Pledge in Blanchard’s Fire Shut Up In My Bones. Next, he reprised his role as Prayer in The Gershwin’s Porgy and Bess, sang concert work in the Met’s performances of Verdi’s Requiem and Mahler’s Symphony No. 2, and was also in the season’s Live in HD production of Boris Godunov. Mr. Morgans could also be seen in their productions of Die Meistersinger and La Boheme.

Last season duirng the COVID-19 lockdown, Mr. Morgans was a resident artist at Portland Opera where he made his debut of Uncle Mac in Night Trip by Carlos Simon, studied the roles of Romeo (Romeo et Julliette), Lensky (Eugene Onegin), Rodolfo (La Boheme), and sang several recitals. A highlight from his concert work is singing Hailstork’s cantata for solo tenor and chorus, I Will Lift Up Mine Eyes, in a concert with Hunter College. The 2019-2020 season found Mr. Morgans as a finalist in the Patrick G. and Shirley W. Ryan Opera Center Competition hosted by the Chicago Lyric Opera. He made his Metropolitan Opera debut as Prayer in their new production of The Gershwin’s Porgy and Bess and appeared in their new production Der fliegende Holländer.

 

The 2018-2019 season began with Mr. Morgans’ New York City debut as Rodolfo (La Boheme) in concert work with City Lyric Opera in performances that were praised as “one of the best we've heard” (Voce di Meche). In the spring of 2019, he appeared as an Apprentice Artist with Sarasota Opera. Under the baton of Maestro Victor DeRenzi, he sang several concerts as various Verdian heros such as Don Alvaro (La Forza del Destino), Jacopo (I due Foscari) and Henri (Les vêpres Siciliennes) in addition to concert work as Gerald (Lakmé). Mr. Morgans spent that summer making his first introduction to New York City Opera covering the role of Renata in the world premiere of Stonewall by Iain Bell with libretto by Pulitzer Prize-winning librettist Mark Campbell.

            A few past highlights include time as an Apprentice Artist with Des Moines Metro Opera studying the roles of Ferrando (Cosí fan tutte), Il Duca (Rigoletto), and Tom Snout (A Midsummer Night’s Dream) as well as work in graduate school as Grimolado in Rodelinda, and singing the roles of Rinuccio and Gherardo in Puccini’s Gianni Schicchi.

            Mr. Morgans appears on Albany Records’ world premiere recording of Adolphus Hailstork’s I Will Lift Up Mine Eyes; a cantata for solo tenor, chorus, and piano featuring William Jewell College Concert Choir as the underpinning of Hailstork’s masterpiece along with other exceptional musical offerings from the Concert Choir.

            Based out of New York City, David Morgans calls Kansas City his home. He holds his Bachelor of Science in Music from William Jewell College and his Master of Music from the University of Missouri-Kansas City Conservatory of Music and Dance. 

 

 

Schedule highlightS

TOUCH

James Keller

Opera Birmingham

January 19-21, 2024

Gianni Schicchi

Rinuccio

Bronx Opera

February 3-11, 2024

Eugene Onegin

Lensky

Opera Baltimore

February 28 - March 3rd, 2024

PAST performances

X: The Life and Times of Malcom X

Ally

The Metropolitan Opera

November 3 - December 2, 2023

Blind Injustice

Laurese Glover

Opera Theater of the Rockies

July 14, 2023

Highway 1 U. S. A.

Nate

Harlem Opera Theater / LOTNY

May 30, June 2-3, 2023

Champion

Terrence Blanchard

The Metropolitan Opera

April 10 - April 25, 2023

Porgy and Bess

Mingo, Sportin’ Life

Des Moines Metro Opera

June 1 - July 24, 2022

La Bohème

Rodolfo

Florentine Opera

May 6 & 8, 2022

Intimate Apparel

Mr. Charles, John

Lincoln Center Theater

January 31 - March 6, 2022

The Gershwins’ Porgy and Bess

Prayer

The Metropolitan Opera

October 31 - December 12, 2021

Night Trip

Uncle Mac

Opera NexGen

Dec 11, 2021

Fire Shut Up In My Bones

Pledge

The Metropolitan Opera

September 27 - October 23, 2021

Dreams Have No Borders

Gabrielito

Anima Mundi Productions

Recorded August 2021

E la solita storia del pastore

L’arlesiana - Francesco Cilea

Juan Jose Lazaro, piano 

May 2023

The Metropolitan Opera

L'amour... Ah! Lève-toi, soleil!

Roméo et Juliette - Charles Gounod

Juan Jose Lazaro, piano

May 2023

The Metropolitan Opera

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Audio

by William Jewell Concert Choir feat. David M. Sanchez, tenor

Instagram Feed

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Reviews

Des Moines metro opera

“David Morgans Sanchez as Mingo dominated the craps scene with an ebullient spinto tenor that is sturdy, pleasantly grainy, and very personalized.” (Opera Today - July 2022)

City Lyric Opera

“"Tonight" from Bernstein's West Side Story opened the program with a bang. We were very taken with Cristina Maria Castro's bright clear soprano when we heard her recently at the City Lyric Opera gala. Tenor David Sanchez is new to us and made a fine impression as Tony falling in love with her Maria. The two artists convincingly portrayed the dawning of love in clearly sung English; they touched our heart.

The lucky Mr. Sanchez got to make love to two women in one evening.  His scene partner in "O soave fanciulla" from Puccini's La Bohême was the marvelous Maria Brea, a soprano we have long admired ever since Martina Arroyo's Prelude to Performance. We would not want to be asked to prefer one love scene over the other. There was not a "false note" in either portrayal of new love. We wished they had been performed consecutively because the first scene put us in a "new love" mood.

Mr. Sanchez' solo was "Dein ist mein ganzes Herz" from Franz Lehar's Das Land des Lächelns. He began in good German and switched to English for the final verse, a nice move we thought.”

(Voce di Meche)

Broadway’s Golden Age

“…"The Fugue for Tinhorns" from Frank Loesser's "Guys and Dolls" follows along with "Sit Down, You're Rocking The Boat" from the rollicking revival scene in Act II. Both are big chorus numbers led by the character Nicely-Nicely Johnson here embodied by excellent tenor David Sanchez.

David Sanchez has lucked out. Much of the best music from the "Golden Age" was written for high tenors. It was a time before vocal amplification and the tenor voice range carried better in Broadway theaters. …” (Broadway World)

Heartland Men’s Chorus Word Premiere: We the unknown

“… David M. Sanchez, Unknown Soldier #2, who sang of the struggles of being a black man in the military at that time, had the fieriest section that erupted into applause at its end. …” (KC Metropolis) (HMC)

Check out the episode Chonicle that details the world premiere here!

Lesbian Gay Band Association National Conference finale Concert 2018

“… a piece [The Nine by Randall Standridge] featuring tenor vocal soloist David M. Sanchez (who sang beautifully even as his text was reduced to a single line repeated throughout the work.)…” (KC Metropolis)

I will Lift Up mine Eyes (Album)

“… A very vigorous, exuberant tenor!…” (Classics Today)

UMkC Conservatory Opera’s Gianni Schicchi

“…Kelly Birch and [David Sanchez] were comic and clever as Zita and Gherardo.…” (KC Metropolis)

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